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Archive for the ‘Release’ Category

artstor_logo_rgbArtstor and the Davison Art Center at Wesleyan University are collaborating to release more than 15,000 images of prints and photographs from the Center’s permanent collection in the Digital Library. A selection of these images will also be made available in Artstor’s Images for Academic Publishing (IAP) program.

The Davison Art Center (DAC) collection consists of some 24,000 works of art on paper, mostly original prints and photographs, with smaller numbers of works in other media. The print collection is considered to be one of the most important at any American university. It includes fine impressions of works by Dürer and Northern and Italian Renaissance artists; Rembrandt and his contemporaries; Goya; nineteenth-century French painter-printmakers such as Manet and Millet; American modern and contemporary artists; and Japanese ukiyo-e woodcuts. The DAC’s photographs range from calotypes and daguerreotypes made in the 1840s, to work by later photographers such as Lewis Hine and Berenice Abbott, to images by contemporary artists including Duane Michals and Cindy Sherman. (more…)

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Artstor and Lafayette College are collaborating to release over 300 images in the Digital Library from the Experimental Printmaking Institute.

artstor_logo_rgbThe Experimental Printmaking Institute (EPI) at Lafayette College is a unique printmaking laboratory that enables students to work hand in hand with professional artists using traditional techniques in concert with experimental approaches. For almost 20 years, EPI has produced editions by artists such as Faith Ringgold, Richard Anuszkiewicz, David Driskell, Grace Hartigan, and Sam Gilliam. The results of these collaborations are included in the permanent collections of many important museums, colleges, and universities. EPI partnered with Lafayette College’s Digital Scholarship Services (DSS) department to digitize and catalog its collection. (more…)

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Mosaics, central courtyard: Ulysses and Sirens, House of Dionysos and Ulysses, Mid 3rdc, Dougga, Tunisia. Data and image from William L. MacDonald Collection, Princeton University

Mosaics, central courtyard: Ulysses and Sirens, House of Dionysos and Ulysses, Mid 3rdc, Dougga, Tunisia. Data and image from William L. MacDonald Collection, Princeton University

Artstor and Princeton University have collaborated to release approximately 4,500 images of architecture from the archives of William L. MacDonald in the Digital Library.

The collection in the Artstor Digital Library documents the city of Rome in great depth, as well as ancient Egyptian, Greek, and Roman architecture, Byzantine and Baroque architecture, and American architecture. The photographs were taken by MacDonald over a period of more than 40 years and include sites that now are largely inaccessible and monuments that have permanently changed.

(more…)

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Luigi Garzi, Bellarmine Chapel, dome fresco, Rome, Italy. John Pinto Collection (Princeton University)

Luigi Garzi, Bellarmine Chapel, dome fresco, Rome, Italy. John Pinto Collection (Princeton University)

Artstor and Princeton architectural historian John Pinto have collaborated to share approximately 2,000 images of Italian architecture, landscape, and urbanism in the Digital Library.

Pinto’s photographs document Renaissance and Baroque architecture, landscape architecture, and monuments, including Hadrian’s Villa and Trevi Fountain. These images trace Rome’s history as a center of artistic production through the ages.

John Pinto is the Howard Crosby Butler Memorial Professor of the History of Architecture in the Princeton University Department of Art and Archaeology and is a Fellow of the American Academy in Rome. (more…)

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Théodore Géricault, Scene from the Race of the Barberi Horses. Image and original data provided by the Art Gallery of Ontario; ago.net. Image © Art Gallery of Ontario.

Théodore Géricault, Scene from the Race of the Barberi Horses. Image and original data provided by the Art Gallery of Ontario; ago.net. Image © Art Gallery of Ontario.

Artstor and the Art Gallery of Ontario (AGO) are now sharing more than 300 images from the Gallery’s permanent collection in the Digital Library. The AGO will eventually contribute selections from their Prints and Drawings collection, which covers the history of Western drawing and printmaking from 1400 to the present, as they undertake a major digitization project for this curatorial department.

Thanks to Artstor’s agreement with SODRAC, the principal society for reproduction rights in Canada representing major international and Canadian artists, works by contemporary artists in the AGO’s Collection in SODRAC’s repertoire will be available to the more than 1,500 institutions that subscribe to the Artstor Digital Library worldwide, including over 60 colleges, universities, museums, and schools in Canada. (more…)

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Louise Nevelson, Untitled [1], 1967, Amon Carter Museum of American Art. © 2012 Estate of Louise Nevelson / Artists Rights Society (ARS), New York

Louise Nevelson, Untitled [1], 1967, Amon Carter Museum of American Art. © 2012 Estate of Louise Nevelson / Artists Rights Society (ARS), New York

Artstor and the Amon Carter Museum of American Art are now sharing nearly 3,000 images in the Digital Library.

The collection includes a substantial number of works from the museum’s Artists Archives, which consist of the archival collections of eight prominent American photographers of the twentieth century: Clara Sipprell (1885-1975), Erwin E. Smith (1886-1947), Karl Struss (1886-1981), Laura Gilpin (1891-1979), Nell Dorr (1893-1988), Eliot Porter (1901-1990), Carlotta Corpron (1901-1988), and Helen Post (1907-1979). These photographic collections are comprised of over 22,000 prints plus over 150,000 negatives. Other highlights to be released include Mexican War daguerreotypes and works by Alfred Stieglitz, Edward Curtis, Eadweard Muybridge, David Octavius Hill, and Southworth & Hawes. (more…)

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Charlotte Perriand, Travail Et Sport; Salle À Manger - Cuisine – Bar, 1929, New York School of Interior Design Library, library.nysid.edu. © 2012 Artists Rights Society (ARS), New York / ADAGP, Paris

Charlotte Perriand, Travail Et Sport; Salle À Manger – Cuisine – Bar, 1929, New York School of Interior Design Library, library.nysid.edu. © 2012 Artists Rights Society (ARS), New York / ADAGP, Paris

Artstor and the New York School of Interior Design (NYSID) are now sharing more than 450 images of pochoir prints and photographic depictions of interior retail architecture and design in Paris from 1928-1932.

The pochoir process, made by applying layers of paint guided by thin zinc or copper cut-out stencils, is characterized by its crisp edges and brilliant colors. Pochoir illustration was popular in 1920s Paris and was often featured in French fashion journals such as Le Jardin des Dames et des Modes and the Gazette du Bon Ton. Both the pochoir and photographic plates represent Art Deco design in the period following the International Exposition of Modern Industrial and Decorative Arts of 1925. (more…)

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