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Archive for the ‘Humanities & Social Sciences’ Category

Left: Jeanne Lanvin | Ensemble, Evening; Summer 1923. Right: Jeanne Lanvin | Suit, Evening (Tuxedo); 1927. Brooklyn Museum Costume Collection at the Metropolitan Museum of Art | Image © The Metropolitan Museum of Art

Left: Jeanne Lanvin | Ensemble, Evening; Summer 1923. Right: Jeanne Lanvin | Suit, Evening (Tuxedo); 1927. Brooklyn Museum Costume Collection at the Metropolitan Museum of Art | Image © The Metropolitan Museum of Art

“I noticed that she wore her evening dress, all her dresses, like sports clothes—there was a jauntiness about her movements as if she had first learned to walk upon a golf course on clean, crisp, mornings.”

-F. Scott Fitzgerald, The Great Gatsby

The recent movie adaptation of The Great Gatsby has turned the spotlight on the fashion and styles of the Roaring Twenties. So what made the twenties roar?

The economic boom was decisive. Soldiers came home from World War I to jobs in manufacturing plants ready to turn from war production to consumer goods; with the flourishing economy, many commodities became affordable for the first time. Another key engine for progress was the 19th Amendment to the Constitution, which granted women the right to vote. It was signed into law in 1920, heralding unprecedented liberation. The twenties were also a pivotal time for mass communication: radio, cinema, and the automobile sped up the distribution of information—and trends.

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Alfred Jacob Miller | Roasting The Hump Rib, 1858-1860 | The Walters Art Museum

Alfred Jacob Miller | Roasting The Hump Rib, 1858-1860 | The Walters Art Museum

May is National Barbecue Month, allegedly. Why the hedging? Because the closest to an official citation we could find was this post on the USDA blog from 2012. But we’ll go with it because a) it gives us the excuse to post this mid-19th century watercolor from The Walters Art Museum, b) we like barbecue, and c) it’s close to lunchtime.

View this image in the ARTstor Digital Library to read the metadata, which includes the artist’s mouthwatering description of how the ribs are cooked.

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Henri de Toulouse-Lautrec | La Chaine Simpson (bicycle chains), 1896 | Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.;  artres.com

Henri de Toulouse-Lautrec | La Chaine Simpson (bicycle chains), 1896 | Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.; artres.com

May is National Bike Month! Did you know that there are more than a billion bicycles worldwide? Perhaps more surprisingly, the basic configuration of a bicycle hasn’t changed much from the chain-driven model developed around 1885.

Amed T. Thibault | Bicycle, Livery, Carriage, and Paint Shop Trade Sign, 1895-1905 | American Folk Art Museum; folkartmuseum.org

Amed T. Thibault | Bicycle, Livery, Carriage, and Paint Shop Trade Sign, 1895-1905 | American Folk Art Museum; folkartmuseum.org

The first pedal-propelled bicycle was reputedly invented by Kirkpatrick MacMillan in Scotland in 1839. While not everyone agrees on his breakthrough, it is widely accepted that MacMillan was the first person to be charged with a cycling traffic offense in 1842 after he was fined five shillings for knocking over a little girl.

In the early 1860s, bicycle design was improved in France by a crank drive with pedals and a larger front wheel that allowed the rider to travel farther with every rotation of the pedals. The model soon developed into the “penny-farthing,” which boasted wheels with solid rubber tires mounted on a tubular steel frame. While certainly formidable-looking, the high placement of the seat and the poor weight distribution made it difficult to ride.

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Papilionidae; swallowtail butterfly | Collected: 8/1975, Madagascar, Africa | Yale University: Peabody Museum of Natural History; peabody.yale.edu

Papilionidae; swallowtail butterfly | Collected: 8/1975, Madagascar, Africa | Yale University: Peabody Museum of Natural History; peabody.yale.edu

Spring time is here and butterflies are already making their annual appearance, according to butterfliesandmoths.org. To celebrate, we’ve compiled a slide show of selections from a wide variety of eras, regions, and fields of study, from science to art to costume design.

Search the ARTstor Digital Library for butterfl* to find more than 1,000 images with the keywords “butterfly” or “butterflies.”

Click on any image to view the slide show and to read the full captions.

Our slide show includes an image of a very serious-looking butterfly collector from George Eastman House; several examples from the nearly 70 specimens of butterflies in Yale University’s Peabody Museum of Natural History; an 18th-century painting of a mischievous cat chasing a butterfly from Réunion des Musées Nationaux; a 1910 lithograph of the Ty-Bell Sisters, Aerial Butterflies from The John and Mable Ringling Museum of Art Circus Collection; a colorful illumination from the Book of Hours of Queen Isabella I, ca. 1495-1500, from The Cleveland Museum of Art Collection; and an evening dress and a bonnet from more than two dozen butterfly-themed dresses and accessories in The Metropolitan Museum of Art’s Brooklyn Museum Costumes.

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For over twenty years, Panos Pictures has been using photography to communicate critical social issues and stories beyond the mainstream media landscape to new and diverse audiences. More than 30,000 of their images of contemporary global affairs are currently available in the ARTstor Digital Library.

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In this Panos-produced video, Ami Vitale shares the story behind a photograph she took when she lived in Guinea-Bissau in West Africa.

 

Search the Digital Library for Ami Vitale and Alio to see this and other photographs she took of the Fulani child, or just for her name to find more than 1,000 of her poignant photographs.

You may also be interested in these other videos from Panos:

Stephan Vanfleteren speaks about his work

Carolyn Drake speaks about her work

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Condé NastARTstor has reached an agreement with Condé Nast to share 25,000 images of cartoons from The New Yorker, highlights from the Condé Nast Archive of Photography, and selections from the Fairchild Photo Service.

The images in these collections will be of great assistance in teaching a myriad of subjects like history, literature, and fashion. The New Yorker’s cartoons are legendary for their incisive wit and for shedding light on the dominant topics of every era, from the Depression to the Internet. The magazine’s cartoonists include renowned figures like, Peter Arno, Roz Chast, Otto Soglow, William Steig, James Thurber, and Gahan Wilson. The Condé Nast Collection, containing images dating back to 1892, represents one of the world’s greatest collections of magazine photography, encompassing fashion, celebrity, and lifestyle photography from publications such as House & Garden, Glamour, Vanity Fair, and Vogue. The Fairchild Photo Service, comprised of more than three million photos gathered over six decades, is the fashion world’s preeminent image gallery.

Condé Nast is home to some of the world’s most celebrated media brands. In the United States, Condé Nast publishes 18 consumer magazines, four business-to-business publications, 27 websites, and more than 50 apps for mobile and tablet devices, all of which define excellence in their categories. The company also owns Fairchild Fashion Media (FFM), whose portfolio of brands serves as the leading source of news and analysis for the global fashion community. Condé Nast has won more National Magazine Awards over the past ten years than all of its competitors combined. For more information, visit condenast.com or follow them on Twitter @CondeNastCorp.

The ARTstor Digital Library provides 1.5 million images in the arts and sciences and a Workspace to search, browse, present, and save images both online and offline for teaching and research purposes. ARTstor is a nonprofit 501(c)3 organization with a mission to further education and scholarship through digital technologies. For more information, visit artstor.org

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Milton Rogovin | Family of Miners series; Woman in field harvesting tobacco | 1983 | Milton Rogovin: Social Documentary Photographs; miltonrogovin.com

Milton Rogovin | Family of Miners series; Woman in field harvesting tobacco | 1983 | Milton Rogovin: Social Documentary Photographs; miltonrogovin.com

By Siân Evans

As a feminist, I often wonder how to approach events like Women’s History Month. Is it a celebration? A time for reflection? This year, I thought I’d meditate on an issue that has been popping up everywhere, from The Atlantic to the Academy Awards. 2012 saw a series of publications on women’s shifting role in the workplace, including Anne Marie Slaughter’s much-discussed essay, “Why Women Can’t Have It All.” Not to mention that, according to a recent article in The Huffington Post, the American workplace continues to be “really, really sexist.” In more specific terms, women still only earn $.77 to every dollar a man makes, and we make up only 4% of the S&P 500’s CEOs. 2013 also marks the 50th anniversary of the publication of Betty Friedan’s monumental book, The Feminine Mystique, which challenged notions of women’s work in the 1960s. What better time to think about how we define a woman’s work, across generations and cultures?

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For over twenty years, Panos Pictures has been using photography to communicate critical social issues and stories beyond the mainstream media landscape to new and diverse audiences. More than 30,000 of their images of contemporary global affairs are currently available in the ARTstor Digital Library.

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In this Panos-produced video, Stephan Vanfleteren talks about capturing a moment that he didn’t believe happened until he developed his own photograph.

Profile Voices: Stephan Van Fleteren from panos pictures on Vimeo.

Search the Digital Library for Stephan Vanfleteren and man taking a picture of his wife to see the image, or just for the photographer’s name to find more than 500 of his stunning photographs.

You may also be interested in: Documentary photographer Carolyn Drake speaks about her work

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Unknown, French | Comet | ca. 1900 | San Francisco Museum of Modern Art

Unknown, French | Comet | ca. 1900 | San Francisco Museum of Modern Art

Debris from a meteor streaked through the sky in western Siberia early this morning, causing a boom that damaged a large number of buildings, mainly in the Russian city of Chelyabinsk. Some 1,000 people were reportedly hurt, mostly as a result of glass shattering when the meteor entered the atmosphere.

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Kitagawa Utamaro | Rat Snake with Dayflower Plant | January 1788 | Image © The Metropolitan Museum of Art

Kitagawa Utamaro | Rat Snake with Dayflower Plant | January 1788 | Image © The Metropolitan Museum of Art

Happy Lunar New Year! The Chinese Year of the Snake begins February 10, 2013 and lasts through January 30, 2014.

The traditional Chinese calendar is based on a combination of lunar and solar movements; the year begins with the night of the first new moon of the lunar New Year and ends on the 15th day. The Chinese zodiac follows a 12-year cycle that relates each year to an animal and its attributes. People born under the snake sign are considered wise, thoughtful, and calculating (although the negative connotations of the snake also present some problems, according to this article in the Wall Street Journal).

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