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Archive for the ‘Latin American Art’ Category

Artstor is introducing curriculum guides–collections of images from the Artstor Digital Library based on syllabi for college courses–compiled by faculty members and experts around the country. Learn more here.

Unknown Spanish artist, Conquest of Mexico; The arrival of Cortes in Veracruz and the reception of Moctezuma's ambassadors, 16th century. Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.; artres.com

Unknown Spanish artist, Conquest of Mexico; The arrival of Cortes in Veracruz and the reception of Moctezuma’s ambassadors, 16th century. Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.; artres.com

Colonial Latin America curriculum guide
Rachel Moore, Associate Professor, History, Clemson University

This curriculum guide explores a wide range of perspectives on the colonial period in Latin America. This includes encounters of the Spanish and the Portuguese (as well as the Dutch) with indigenous populations in Mexico and South America. By analyzing these images alongside readings, the student will gain a fuller sense of the mindset of the participants in each historical event and, ultimately, a fuller sense of the historical event itself.

Section 1: The Age of Encounters: Impressions of the New World
Images for this selection address European impressions of the New World in the earliest years of the Spanish encounters with Latin America. Most of these images were produced by those who had no direct contact with Latin America and thus are both fantastical and reflective of pre-contact mindsets in Europe.
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Section 2: Iberian Precedents: The Legacy of Convivencia in Spain and Portugal
Images for this selection examine in detail the precedents for the conquest of the New World set by the Muslim occupation of the Spanish peninsula from 711-1492 and the subsequent Spanish reconquest of the peninsula. These images include reference to popular figures, such as Santiago Matamoros, and building styles that would appear in Spain and Latin America as a result of the convivencia.
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Louise Nevelson, Untitled [1], 1967, Amon Carter Museum of American Art. © 2012 Estate of Louise Nevelson / Artists Rights Society (ARS), New York

Louise Nevelson, Untitled [1], 1967, Amon Carter Museum of American Art. © 2012 Estate of Louise Nevelson / Artists Rights Society (ARS), New York

Artstor and the Amon Carter Museum of American Art are now sharing nearly 3,000 images in the Digital Library.

The collection includes a substantial number of works from the museum’s Artists Archives, which consist of the archival collections of eight prominent American photographers of the twentieth century: Clara Sipprell (1885-1975), Erwin E. Smith (1886-1947), Karl Struss (1886-1981), Laura Gilpin (1891-1979), Nell Dorr (1893-1988), Eliot Porter (1901-1990), Carlotta Corpron (1901-1988), and Helen Post (1907-1979). These photographic collections are comprised of over 22,000 prints plus over 150,000 negatives. Other highlights to be released include Mexican War daguerreotypes and works by Alfred Stieglitz, Edward Curtis, Eadweard Muybridge, David Octavius Hill, and Southworth & Hawes. (more…)

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Oliverio Toscani, Double Portrait of Andy Warhol, 1974, The Museum of Fine Arts, Houston. Photo © MFAH, © 2012 Artists Rights Society (ARS), New York / BILDKUNST, Bonn

Oliverio Toscani, Double Portrait of Andy Warhol, 1974, The Museum of Fine Arts, Houston. Photo © MFAH, © 2012 Artists Rights Society (ARS), New York / BILDKUNST, Bonn

Artstor and the Museum of Fine Arts, Houston have released more than 5,000 images from the permanent collection in the Digital Library.

The images in this release include works by artists such as Diane Arbus, Alexander Archipenko, Robert Arneson, Uta Barth, George Condo, Delacroix, Dan Graham, William Klein, Dorothea Lange, Annie Leibovitz, Roy Lichenstein, Brice Marden, Claes Oldenburg, José Clemente Orozco, Irving Penn, José Guadalupe Posada, Frederic Remington, Gerhard Richter, Diego Rivera, Milton Rogovin, Ed Ruscha, Andres Serrano, Jennifer Steinkamp, Rufino Tamayo, James Turrell, Peter Voulkos, Joel Peter Witkin, Minor White, Rachel Whiteread, Frank Lloyd Wright, and many more.

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Jean Charlot  | Hawaiian Drummers | May 5, 1950 |1950 May 5 | Work: © 2012 Artists Rights Society (ARS), New York | Photo credit: Hal Lum  | Photograph © The Jean Charlot Estate LLC

Jean Charlot | Hawaiian Drummers | May 5, 1950 |1950 May 5 | Work: © 2012 Artists Rights Society (ARS), New York | Photo credit: Hal Lum | Photograph © The Jean Charlot Estate LLC

Artstor is sharing 101 images of artworks by Louis Henri Jean Charlot (1898–1979) from the Jean Charlot Collection at the University of Hawai’i at Manoa.

Charlot’s output of drawings, paintings, murals, prints, sculptures, illustrations and cartoons, as well as books, articles, and other writings was prodigious. Wherever he lived—whether in France, Mexico, New York, Georgia, Colorado, Hawai‘i or Fiji—his life was full of significant connections with artists and writers, indigenous and working people, influential figures in art and educational institutions, and the Roman Catholic Church. He preserved the records of his encounters, together with those of his own creative and scholarly life, in the original artworks, archival documents, research photographs, audiovisual materials, memorabilia and the publications of his personal library that became the basis of the Jean Charlot Collection.

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Photographer: Rubén Durán | Creole/Fantasy Influence (Carnival in Dominican Republic) | February or March circa 2009-2010 | Cotuí, Dominican Republic | Photograph © HCC Central College - Rubén Durán

Photographer: Rubén Durán | Creole/Fantasy Influence (Carnival in Dominican Republic) | February or March circa 2009-2010 | Cotuí, Dominican Republic | Photograph © HCC Central College – Rubén Durán

Rubén Durán, Senior Web & Video Developer at Houston Community College Central’s Curriculum Innovation Center, was kind enough to give us a little background on his collection of photographs of carnaval, which were recently released in the ARTstor Digital Library.

The riotous, rebellious world of carnaval came to life for me when I traveled to my native Dominican Republic to recapture some of my youth. The result is a collection of 550 images now available in the ARTstor Digital Library in collaboration with the Houston Community College Central Fine Arts Division. The vibrant colors document the oldest carnaval celebrations in the Americas and I discovered at the Caribbean crossroads, Creole, Spanish, and African cultures blending with the indigenous Taino people to create festivals unlike any others I’ve seen.

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Photographer: Rubén Durán | Fantasy Influence (Carnival in Dominican Republic) | February or March circa 2009-2010 | Cotuí, Dominican Republic | Photograph © HCC Central College - Rubén Durán

Photographer: Rubén Durán | Fantasy Influence (Carnival in Dominican Republic) | February or March circa 2009-2010 | Cotuí, Dominican Republic | Photograph © HCC Central College – Rubén Durán

ARTstor and Houston Community College have collaborated to share 550 images documenting carnivals in the Dominican Republic by Rubén Durán in the Digital Library.

Durán’s photographs explore Dominican identity by documenting the yearly carnival celebrations in Santiago, Cotuí, Santo Domingo, La Vega, and La Romana that put to the fore a cultural mosaic forged by ordinary people.

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artstor_logo_rgb2ARTstor is collaborating with the Fowler Museum at the University of California, Los Angeles to share 3,320 images of approximately 830 objects from the Fowler Museum’s Andean ceramics collection.

The Fowler Museum’s collections include more than 150,000 art and ethnographic objects and approximately 600,000 archaeological objects from ancient, traditional, and contemporary cultures around the world.

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