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Archive for the ‘Modern & Contemporary Art’ Category

Jacob Lawrence, The Migration of the Negro Panel no. 3: In every town Negroes were leaving by the hundreds to go North and enter into Northern industry, 1940 – 1941. Image and original data provided by The Phillips Collection, © 2005 Estate of Gwendolyn Knight Lawrence / Artists Rights Society (ARS)

Jacob Lawrence, The Migration of the Negro Panel no. 3: In every town Negroes were leaving by the hundreds to go North and enter into Northern industry, 1940 – 1941. Image and original data provided by The Phillips Collection, © 2005 Estate of Gwendolyn Knight Lawrence / Artists Rights Society (ARS)

Jacob Lawrence painted “The Migration of the Negro,” a series of 60 small panels describing the passage of African-Americans from the rural South to the urban North, in 1940 and 1941. The works combined the vibrancy of modernism, the content of history painting, and the urgency of political art. The electrifying results catapulted the young artist into fame and the history books.

Lawrence saw the series as a single work, but a year after its completion the Museum of Modern Art acquired the even-numbered pictures and the Phillips Collection in Washington the others, and opportunities to see all the paintings together have been rare. Which is a pity. As art critic Holland Cotter wrote in The New York Times“…only in the complete series can we fully grasp the sinewy moral texture of art that is in the business of neither easy uplift nor single-minded protest.”

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Oliverio Toscani, Double Portrait of Andy Warhol, 1974, The Museum of Fine Arts, Houston. Photo © MFAH, © 2012 Artists Rights Society (ARS), New York / BILDKUNST, Bonn

Oliverio Toscani, Double Portrait of Andy Warhol, 1974, The Museum of Fine Arts, Houston. Photo © MFAH, © 2012 Artists Rights Society (ARS), New York / BILDKUNST, Bonn

Artstor and the Museum of Fine Arts, Houston have released more than 5,000 images from the permanent collection in the Digital Library.

The images in this release include works by artists such as Diane Arbus, Alexander Archipenko, Robert Arneson, Uta Barth, George Condo, Delacroix, Dan Graham, William Klein, Dorothea Lange, Annie Leibovitz, Roy Lichenstein, Brice Marden, Claes Oldenburg, José Clemente Orozco, Irving Penn, José Guadalupe Posada, Frederic Remington, Gerhard Richter, Diego Rivera, Milton Rogovin, Ed Ruscha, Andres Serrano, Jennifer Steinkamp, Rufino Tamayo, James Turrell, Peter Voulkos, Joel Peter Witkin, Minor White, Rachel Whiteread, Frank Lloyd Wright, and many more.

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Chinese | Covered Box with Design of Scholar and Attendant in a Landscape, late 16th-early 17th century | Image and original data provided by Saint Louis Art Museum, slam.org/

Chinese | Covered Box with Design of Scholar and Attendant in a Landscape, late 16th-early 17th century | Image and original data provided by Saint Louis Art Museum, slam.org/

More than 800 additional images of works from the Saint Louis Art Museum’s permanent collection of world art are now available in the Digital Library.

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saca-logoArtstor Digital Library and San Anto Cultural Arts have made available more than 60 images of murals created as part of the organization’s Community Mural/Public Art Program.

San Anto Cultural Arts (SACA) is a nonprofit learning space that promotes and encourages organic and cultural self-expression in San Antonio, Texas. A small group of community residents established the organization in 1993 in the heart of the city’s Westside community, near the Alazan-Apache Housing Projects.

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Albert Winslow Barker, Girl with basket, 1910 or 1916. Bryn Mawr College: Albert Winslow Barker Collection

Albert Winslow Barker, Girl with basket, 1910 or 1916. Bryn Mawr College: Albert Winslow Barker Collection

Bryn Mawr College’s Albert Winslow Barker Collection in Shared Shelf Commons brings back to light the work of an unfairly neglected American lithographer of the 1930s and uncovers his little-known photographs. And there is much to admire.

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Katsushika Hokusai, Soccer, early 19th century, Museum für Asiatische Kunst, Berlin State Museums. Image and original data provided by Bildarchiv Preussischer Kulturbesitz bpkgate.picturemaxx.com

Katsushika Hokusai, Soccer, early 19th century, Museum für Asiatische Kunst, Berlin State Museums. Image and original data provided by Bildarchiv Preussischer Kulturbesitz
bpkgate.picturemaxx.com

By all accounts, Americans are becoming enthusiastic about soccer in unprecedented numbers. Rumor even has it that a handful of Artstor employees may have sneaked into a conference room yesterday to watch the US team confront Germany (though, when asked about the story, everyone seemed too busy with work to comment).

Of course, the game has long been popular around the world, as you can see from this slideshow of images ranging from the 17th to the 20th century, and from countries including Italy, France, Japan, Ghana, and yes, the United States.

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Reginald Marsh, Wonderland Circus, Sideshow Coney Island, 1930, The John and Mable Ringling Museum of Art, the State Art Museum of Florida, a division of Florida State University. © 2008 Estate of Reginald Marsh / Art Students League, New York / Artists Rights Society (ARS), New York

Reginald Marsh, Wonderland Circus, Sideshow Coney Island, 1930, The John and Mable Ringling Museum of Art, the State Art Museum of Florida, a division of Florida State University. © 2008 Estate of Reginald Marsh / Art Students League, New York / Artists Rights Society (ARS), New York

When the weather starts getting unbearable New Yorkers—Artstor staff included—flock to the boardwalks of Brooklyn’s Coney Island or Rockaway Beach in Queens.

This ritual is nothing new and was, in fact, one of the pet subjects of Reginald Marsh (1898 –1954), an American artist famous for his paintings of New York City in the ’20s and ’30s. His city scenes are remarkable for their palpable sense of movement—bodies walk or loiter on street corners, crowds swell as New York’s lights pulsate and glow in the background.

That Marsh’s canvases seem to vibrate is due not only to his staccato brush strokes and bright, reflective colors, but also to his choice of subject matter. Rather than portray New York City’s elite, Marsh turned to everyday people and entertainments. Favorite subjects included burlesque and Vaudeville performers, pedestrians and, yes, public beaches. (more…)

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