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Archive for the ‘Photographs’ Category

Exhibition: The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk | November 13, 2011-February 12, 2012 | Dallas Museum of Art Collection | This image was provided by Dallas Museum of Art

Exhibition: The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk | November 13, 2011-February 12, 2012 | Dallas Museum of Art Collection | This image was provided by Dallas Museum of Art

The Dallas Museum of Art has collaborated with Artstor to make 2,500 images of exhibition installations available in the Digital Library.

Among the exhibitions documented are Cindy Sherman (1988); Donald Judd (1989); The Art of the Doll: Automata from the Gail Cook Collection (1991); Circa 1900: Design at the Turn of the Century (2001); Art Deco and Streamlined Modern Design, 1920–1950 (2002); Splendors of China’s Forbidden City (2004); The Art of Romare Bearden (2004); The Branch and the Scorpion: Maya Textiles from Guatemala’s Pacific Coast (2006); Take your time: Olafur Eliasson (2008); The Artistic Furniture of Charles Rohlfs (2010); African Masks: The Art of Disguise (2010); Performance / Art (2010); and The Fashion World of Jean Paul Gaultier (2011).

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artstor_logo_rgb2Artstor is collaborating with Donald Woodman to share 200 of his photographs in the Digital Library.

Donald Woodman’s photographs of subjects ranging from architecture to therapy, clouds, the Holocaust, and small-town rodeos, have been exhibited nationally and internationally, and his work is included in the collections of the Victoria and Albert Museum; the Museum of Art and History in Fribourg, Switzerland; the Albuquerque Museum; the New Mexico Museum of Art; the New Orleans Museum of Art; the Butler Art Institute; the Walker Art Center; the Corcoran Gallery of Art; as well as various private collections, including the Polaroid Collection Program. Woodman’s archives are scheduled to join the History Museum Palace of the Governors in Santa Fe.

For more detailed information about this collection, visit Donald Woodman page in Artstor.

Related collections:

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artstor_logo_rgb2Artstor and Thomas McGovern are collaborating to share approximately 100 photographs from the artist’s series covering the AIDS crisis.

The photographs, taken between 1987 and 1997, portray individuals with AIDS and activist demonstrations in the U.S. “While I have photographed many aspects of the crisis since 1987, it is the portraits of people with AIDS that are central to the project and it is around these that the other photos of events revolve,” McGovern writes.

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1952 Winter Carnival | Colbiana Photographs |  Colby College Special Collections, Waterville, Maine

1952 Winter Carnival | Colbiana Photographs | Colby College Special Collections, Waterville, Maine

Virginia Duggan, Winter Carnival Queen | Colbiana Photographs | Colby College Special Collections, Waterville, Maine

Virginia Duggan, Winter Carnival Queen | Colbiana Photographs | Colby College Special Collections, Waterville, Maine

Maine is famous for its winters, and understandably so – snow accumulation can reach up to 10 feet in parts of the state. This offers an irresistible opportunity for play, as you can see in these vintage photographs from the ’40s and ’50s.

The images come from the Colbiana Collection at Maine’s Colby College. The archive is composed of Colby’s historical records from 1813 to the present, and many of its photographs are openly available on Shared Shelf Commons. Among the treasures to be found are the college’s first campus in downtown Waterville, the construction of the current campus on Mayflower Hill, as well as images of faculty and students making merry in the snow.

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William M. Vander Weyde | Ice Skating | ca. 1900 | George Eastman House

William M. Vander Weyde | Ice Skating | ca. 1900 | George Eastman House

It’s snowing today in New York City and crowds are lining up to skate at the legendary ice rink at Rockefeller Center, with its sparkling light displays and famous holiday tree. If I visit this year, it’ll be as a spectator only, since I’ve never ice skated in my life. Sad, I know, but I have a good excuse—I grew up in extremely warm areas of Mexico and Texas, so I didn’t have many opportunities to learn. But that doesn’t stop me from admiring skaters. I love their graceful gliding, and enjoy seeing the camaraderie that spontaneously develops when groups of people converge on the ice. Evidently I’m not alone, judging from the many depictions of skating groups in the Artstor Digital Library.

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Kaufmann House by architect Richard Neutra Palm Springs, CA, 1947. © J. Paul Getty Trust. Used with permission. Julius Shulman Photography Archive, Research Library at the Getty Research Institute (2004.R.10)

Kaufmann House by architect Richard Neutra Palm Springs, CA, 1947. © J. Paul Getty Trust. Used with permission. Julius Shulman Photography Archive, Research Library at the Getty Research Institute (2004.R.10)

by Laura Schroffel, Library Assistant in Special Collections Cataloging at the Getty Research Institute

Co-published with The Iris, the online magazine of the Getty.

The Getty Research Institute recently collaborated with the Artstor Digital Library to digitize and share approximately 6,500 images from the Julius Shulman photography archive, series II and III. The work of American architectural photographer Julius Shulman (1910– 2009) comprises the most comprehensive visual chronology of modern architecture in the Americas, with a detailed focus on the development of the Los Angeles region. Spanning 70 years, it is a critical visual record of the metropolis’s evolution. The images are available now both on the Artstor Digital Library and in the Getty Research Institute’s digital collections.

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Caption: An afternoon at the Libermans’, 1963. Left to right, Lawrence Alloway, Beatrice Leval, Barnett Newman, Alexander Liberman, Sylvia Sleigh, Robert Motherwell, and Annalee Newman. Liberman’s ever-present Leica camera is on the table. The Getty Research Institute, Los Angeles, (2000.R.19). © J. Paul Getty Trust.

Caption: An afternoon at the Libermans’, 1963. Left to right, Lawrence Alloway, Beatrice Leval, Barnett Newman, Alexander Liberman, Sylvia Sleigh, Robert Motherwell, and Annalee Newman. Liberman’s ever-present Leica camera is on the table. The Getty Research Institute, Los Angeles, (2000.R.19). © J. Paul Getty Trust.

by Emmabeth Nanol, library assistant in Special Collections Cataloging at the Getty Research Institute

Co-published with The Iris, the online magazine of the Getty.

The Getty Research Institute recently partnered with the Artstor Digital Library to digitize and make available approximately 1,500 selections from the Alexander Liberman photography archive, from the series “Artists and Personalities.” These selections from the archive, which holds nearly 150,000 items, were inspired by Liberman’s publications, most notably The Artist in His Studio. The images are available now both via Artstor and the GRI’s digital collections.

A prolific photographer since his childhood, Liberman enthusiastically identified with the candid documentary style of the 35mm camera and its grainy aesthetic—almost all of the images in the archive were captured using 35mm. He admired the camera’s journalistic aesthetic, its soft focus, and how it disintegrated background details.

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Rebecca Hackemann | The Philosophical Piggy | 2007

Rebecca Hackemann | The Philosophical Piggy | 2007

Artstor has collaborated with Rebecca Hackemann to release more than 200 images of her artwork in the Digital Library. The images in the Digital Library include both digital reproductions of two-dimensional works and documentation of her public sculptures and installations. Hackemann’s conceptually-oriented art challenges existing media categories and is primarily concerned with issues of perception, representation, and the intersection between language and image, as well as with the history of public space and urban planning in non-traditional locations.

Rebecca Hackemann is a British/German conceptual artist who works in many media that are concerned with perception and space. (more…)

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artstor_logo_rgb2ARTstor is collaborating with the Amon Carter Museum of American Art to share approximately 3,000 images in the Digital Library.

The collection will include a substantial number of works from the museum’s Artists Archives, which consist of the archival collections of eight prominent American photographers of the twentieth century: Clara Sipprell (1885-1975), Erwin E. Smith (1886-1947), Karl Struss (1886-1981), Laura Gilpin (1891-1979), Nell Dorr (1893-1988), Eliot Porter (1901-1990), Carlotta Corpron (1901-1988), and Helen Post (1907-1979). These photographic collections are comprised of over 22,000 prints plus over 150,000 negatives. Other highlights to be released include Mexican War daguerreotypes and works by Alfred Stieglitz, Edward Curtis, Eadweard Muybridge, David Octavius Hill, and Southworth & Hawes.

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Giotto | Saint Francis Preaching to the Birds, predella of Saint Francis of Assisi Receiving the Stigmatta | c. 1295-1300 | Musée du Louvre | Image and original data provided by Réunion des Musées Nationaux / Art Resource, N.Y. ; artres.com

Giotto | Saint Francis Preaching to the Birds, predella of Saint Francis of Assisi Receiving the Stigmatta | c. 1295-1300 | Musée du Louvre | Image and original data provided by Réunion des Musées Nationaux / Art Resource, N.Y. ; artres.com

October 4 is generally recognized as the feast day of St. Francis of Assisi, patron of the animals, steward of nature, and author of the Canticle of the Creatures.  In a divinely ordained cosmos, Francis considered all elements – sun, moon, and stars, water and fire, and the animals – our sisters and brothers, and he is often depicted and described preaching to the birds, as in Giotto’s panel shown here, 1295-1300.  The cathedral of St. John the Divine in New York famously marks his feast day with the blessing of the animals (this year the closest Sunday falls on Oct. 6).  Thousands of creatures, from tortoises to camels, process though the nave, gather in the yard, and are blessed by clergy.  This scene is replayed throughout churches around the globe, a celebration of the beasts that surround us and enhance our lives.

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