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Archive for the ‘Decorative Arts, Utilitarian Objects & Interior Des’ Category

Bruce Eric Kaplan, "Where does he get all his ideas?" Condé Nast; cartoonbank.licensestream.com. New Yorker Cartoons: Kaplan, Bruce Eric/The New Yorker Collection; Contact information: Content Licensing, 4 Times Square, NY, NY 10036; Tel No: 212-286-7147; licensing@condenast.com

Bruce Eric Kaplan, “Where does he get all his ideas?” Condé Nast; cartoonbank.licensestream.com. New Yorker Cartoons: Kaplan, Bruce Eric/The New Yorker Collection; Contact information: Content Licensing, 4 Times Square, NY, NY 10036; Tel No: 212-286-7147; licensing@condenast.com

Artstor has released approximately 18,000 additional images from Condé Nast in the Digital Library, including nearly 3,000 cartoons from The New Yorker and 15,000 fashion photographs from the Fairchild Photo Service.

Vivienne Westwood Red Label Fall 2013 Ready to Wear. Photographer: Giovanni Giannoni. Condé Nast; condenaststore.com | Fairchild Photo Service; Contact information: Content Licensing, 4 Times Square, NY, NY 10036; Tel No: 212-286-7147; licensing@condenast.com

Vivienne Westwood Red Label Fall 2013 Ready to Wear. Photographer: Giovanni Giannoni. Condé Nast; condenaststore.com | Fairchild Photo Service; Contact information: Content Licensing, 4 Times Square, NY, NY 10036; Tel No: 212-286-7147; licensing@condenast.com

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Claude Monet, Water Lilies,  1919. Image © The Metropolitan Museum of Art

Claude Monet, Water Lilies, 1919. Image © The Metropolitan Museum of Art

After the coldest recorded February in New York City since 1934, spring has finally sprung, and we could not be more relieved.

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Georges Lepape (illustrator); Paul Poiret (costume designer), "Les Jardins de Versailles - Costume de Paul Poiret dans le goût Louis XIV", 1913. Image and catalog data provided by Allan T. Kohl, Minneapolis College of Art and Design, Lepape: © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris, Poiret: © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris

Georges Lepape (illustrator); Paul Poiret (costume designer), “Les Jardins de Versailles – Costume de Paul Poiret dans le goût Louis XIV”, 1913. Image and catalog data provided by Allan T. Kohl, Minneapolis College of Art and Design, Lepape: © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris, Poiret: © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris

A poorly taken photograph of a dress and the simple question “what color is it?” spread all over social media and was picked up by several news outlets. Some people in our office saw black and blue, others white and gold, but we all agreed—enough is enough with #thatdress! The Artstor Digital Library offers you thousands of more interesting dresses from collections like Museum at FIT, Gazette du Bon Ton (Minneapolis College of Art and Design), The Metropolitan Museum of Art: Brooklyn Museum Costumes.

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logo-arasArtstor is collaborating with the Archive for Research in Archetypal Symbolism to release 17,000 images documenting mythology, symbols and rituals from different time periods and geographic locations in the Digital Library.

The images in Archive for Research in Archetypal Symbolism (ARAS) explore the universality of certain iconographies and themes, illustrating commonalities in the ways human beings across the world have thought about and represented different phenomena. Each image includes commentary that points to its unique history and contextualizes it within larger patterns and historical developments. The collection supports interdisciplinary humanities research, research on the meaning of images in psychoanalysis and dreams, and provides support for designers searching for pictorial inspiration. (more…)

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artstor_logo_rgbArtstor and Oregon College of Art and Craft (OCAC) are collaborating to release approximately 300 images of art from their faculty collection in the Digital Library.

Oregon College of Art and Craft (OCAC) has earned a reputation as a leading college of art and craft in the United States. Known for its exceptional faculty of artists and makers, the uniquely small, mentor-based community is comprised of approximately 200 students who pursue full-time BFA, MFA, or certificate degree programs, in addition to the 2,500 students enrolled annually in youth and adult programs. Students at OCAC are encouraged to work across the full range of its specialized facilities in the seven studio areas that comprise Craft at the school. The hands-on, studio-based approach to learning – one in which critical thinking informs making works by hand – is enhanced by a robust, integrated liberal arts component that prepares graduates to become creative and informed makers and thinkers eager to interact with the world around them. The more than four hundred OCAC alumni, 82% of whom are employed in the arts, exemplify the vital role artists and makers play in satisfying the global demand for new ways of thinking, making and innovating. Founded in 1907, OCAC (pronounced “O-see-A-see”) is an active player in the Portland, OR ethos as the home of the small batch, hand-made, environmentally sound, and ethically entrepreneurial. OCAC’s library is part of the Washington County Public Library system in Oregon.

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Left:   Designer: Jean Paul Gaultier; Jumpsuit, c.1926. © The Museum at FIT. Right:  Designer: John Galliano, Evening dress, c.1997. © The Museum at FIT

Left: Designer: Jean Paul Gaultier; Jumpsuit, c.1926. © The Museum at FIT. Right: Designer: John Galliano, Evening dress, c.1997. © The Museum at FIT

Artstor and the Fashion Institute of Technology (FIT) have released approximately 250 images from the permanent collection of the Museum at FIT.

The Museum at FIT is the only museum in New York City dedicated solely to the art of fashion. Best known for its innovative and award-winning exhibitions, the museum has a collection of more than 50,000 garments and accessories dating from the 18th century to the present. The museum is part of the Fashion Institute of Technology (FIT), a State University of New York (SUNY) college of art, design, business, and technology that has been at the crossroads of commerce and creativity for nearly 70 years.

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Peter Carl Fabergé; Henrick Wigström, (Workmaster) | The Rose Trellis Easter Egg | 1907 | The Walters Art Museum

Peter Carl Fabergé; Henrick Wigström, (Workmaster) | The Rose Trellis Easter Egg | 1907 | The Walters Art Museum

As we get close to Easter, you’re sure to run into at least a few mentions of the renowned Fabergé eggs. And rightly so, as these decorative objects are ingenious and rich with history. But did you know there is much more to Fabergé than just eggs?

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