After the coldest recorded February in New York City since 1934, spring has finally sprung, and we could not be more relieved.
Archive for the ‘Latin American Art’ Category
Artstor and Bob Schalkwijk have just released more than 2,100 images selected from the photographer’s archives of pre-Columbian, colonial, and 19th- and 20th-century art from Mexico in the Digital Library. The collection in Artstor focuses on murals by renowned artists such as Diego Rivera, David Alfaro Siqueiros, and José Clemente Orozco, as well as more than 50 artworks by Frida Kahlo. This is the first release of an anticipated total of 3,000 images.
An accomplished anthropological photographer, Bob Schalkwijk began his career in 1960 in Mexico. In addition to his photography of Mexican art, Schalkwijk’s work documents indigenous traditions, culinary customs, sculptures, arts and crafts, and local dress. He has traveled throughout four continents and most of Mexico focusing on people, their environment, and their culture. His archives of more than 400,000 photographs range from portraits to landscapes throughout the world.
Artstor and The University of Texas at Austin are collaborating to release more than 900 images in the Digital Library documenting two significant renovation projects of Mexican architectural landmarks: the restoration of Teposcolula’s Open Chapel’s vault, and the restoration of the Templo y Exconvento de Santo Domingo de Guzmán in Oaxaca.
The Teposcolula Open Chapel is considered one of the best examples of an ‘open chapel’ – a characteristic structure of Mexican Christian architecture. The nearby Santo Domingo church, founded by Dominican friars in the 1570s, is an impressive baroque church and adjoining convent. The expansive site, built up over 200 years, features a series of cloisters and courtyards, and a large sanctuary. Retablo paintings by Spanish master Andrés de la Concha are still visible inside the church. (more…)
Artstor is introducing curriculum guides–collections of images from the Artstor Digital Library based on syllabi for college courses–compiled by faculty members and experts around the country. Learn more here.
Colonial Latin America curriculum guide
Rachel Moore, Associate Professor, History, Clemson University
This curriculum guide explores a wide range of perspectives on the colonial period in Latin America. This includes encounters of the Spanish and the Portuguese (as well as the Dutch) with indigenous populations in Mexico and South America. By analyzing these images alongside readings, the student will gain a fuller sense of the mindset of the participants in each historical event and, ultimately, a fuller sense of the historical event itself.
Section 1: The Age of Encounters: Impressions of the New World
Images for this selection address European impressions of the New World in the earliest years of the Spanish encounters with Latin America. Most of these images were produced by those who had no direct contact with Latin America and thus are both fantastical and reflective of pre-contact mindsets in Europe.
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Section 2: Iberian Precedents: The Legacy of Convivencia in Spain and Portugal
Images for this selection examine in detail the precedents for the conquest of the New World set by the Muslim occupation of the Spanish peninsula from 711-1492 and the subsequent Spanish reconquest of the peninsula. These images include reference to popular figures, such as Santiago Matamoros, and building styles that would appear in Spain and Latin America as a result of the convivencia.
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Artstor and the Amon Carter Museum of American Art are now sharing nearly 3,000 images in the Digital Library.
The collection includes a substantial number of works from the museum’s Artists Archives, which consist of the archival collections of eight prominent American photographers of the twentieth century: Clara Sipprell (1885-1975), Erwin E. Smith (1886-1947), Karl Struss (1886-1981), Laura Gilpin (1891-1979), Nell Dorr (1893-1988), Eliot Porter (1901-1990), Carlotta Corpron (1901-1988), and Helen Post (1907-1979). These photographic collections are comprised of over 22,000 prints plus over 150,000 negatives. Other highlights to be released include Mexican War daguerreotypes and works by Alfred Stieglitz, Edward Curtis, Eadweard Muybridge, David Octavius Hill, and Southworth & Hawes. (more…)
Posted in American Art, Asian Art, Baroque Art & Architecture in Europe, Collections, Drawings and Watercolors, Islamic Art, Latin American Art, Modern & Contemporary Art, Museums, Paintings, Photographs, Release, Renaissance on August 15, 2014 | Leave a Comment »
Artstor and the Museum of Fine Arts, Houston have released more than 5,000 images from the permanent collection in the Digital Library.
The images in this release include works by artists such as Diane Arbus, Alexander Archipenko, Robert Arneson, Uta Barth, George Condo, Delacroix, Dan Graham, William Klein, Dorothea Lange, Annie Leibovitz, Roy Lichenstein, Brice Marden, Claes Oldenburg, José Clemente Orozco, Irving Penn, José Guadalupe Posada, Frederic Remington, Gerhard Richter, Diego Rivera, Milton Rogovin, Ed Ruscha, Andres Serrano, Jennifer Steinkamp, Rufino Tamayo, James Turrell, Peter Voulkos, Joel Peter Witkin, Minor White, Rachel Whiteread, Frank Lloyd Wright, and many more.
Artstor is sharing 101 images of artworks by Louis Henri Jean Charlot (1898–1979) from the Jean Charlot Collection at the University of Hawai’i at Manoa.
Charlot’s output of drawings, paintings, murals, prints, sculptures, illustrations and cartoons, as well as books, articles, and other writings was prodigious. Wherever he lived—whether in France, Mexico, New York, Georgia, Colorado, Hawai‘i or Fiji—his life was full of significant connections with artists and writers, indigenous and working people, influential figures in art and educational institutions, and the Roman Catholic Church. He preserved the records of his encounters, together with those of his own creative and scholarly life, in the original artworks, archival documents, research photographs, audiovisual materials, memorabilia and the publications of his personal library that became the basis of the Jean Charlot Collection.