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Archive for the ‘Modern & Contemporary Art’ Category

Edward Weston, Cabbage Leaf, 1931-1951. Image and data from SFMOMA; © 1981 Center for Creative Photography, Arizona Board of Regents / Artist Rights Society (ARS), New York.

Edward Weston, Cabbage Leaf, 1931-1951. Image and data from SFMOMA; © 1981 Center for Creative Photography, Arizona Board of Regents / Artist Rights Society (ARS), New York.

Artstor and San Francisco Museum of Modern Art (SFMOMA) are making nearly 500 additional images of works from the Museum’s permanent collection available in the Artstor Digital Library. This collaboration brings the total number of images from the Museum within the Digital Library to approximately 1,800. Featuring photographic works by Sibyl Anikeef and Sonya Noskowiak, among others, this launch offers increased coverage of notable female photographers. Photographs by Edward Weston, drawings by Diego Rivera, Gunter Gunschel, and Wayne Thiebaud–as well as paintings by Clyfford Still, Frank Stella, and Josef Albers–round out the contribution. (more…)

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Artstor has recently made available images of commercial art, canonical works, and thousands of personal Polaroids from the Andy Warhol Foundation for the Visual Arts. Artstor’s Damian Shand speaks to Michael Hermann, the Foundation’s director of licensing, about the collection.

Damian Shand: 35,000 images from the Andy Warhol Foundation for the Visual Arts have just been made available in the Artstor Digital Library. What were the origins of the collection and how difficult was it to bring all the material together for digitization?

Michael Hermann: When Warhol passed away in 1987, he left his extensive inventory of artwork to the Foundation. In order to get such a large, complicated collection cataloged, archived, photographed and digitized, the Foundation embarked on what turned out to be an ongoing 30-year project. The endeavor has been time-consuming and expensive, but as stewards of Warhol’s legacy, we feel it was necessary. Traditional means were used to document the collection while adapting to technological advancements where necessary. In the case of the 28,000 photographs now available on the Artstor Digital Library, we used a crowd-sourcing model. The original 28,000 Warhol photographs were donated to over 180 college and university museums and galleries who in turn documented the artworks and sent the high-resolution digital images back to us.

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Michael Hermann, Director of Licensing at The Andy Warhol Foundation for the Visual Arts, explains how the Foundation’s collections in the Artstor Digital Library provide a comprehensive view of Warhol’s cultural impact–as well as insight into his personal life.

Thirty years after his death, Andy Warhol (1928-1987) remains one of the most influential figures in contemporary art and culture. Warhol’s life and work continue to inspire creative thinkers worldwide thanks to his enduring imagery, his artfully cultivated celebrity, and the ongoing research of dedicated scholars. His impact as an artist is far deeper and greater than soup cans and his prescient observation that “everyone will be world-famous for fifteen minutes.” His omnivorous curiosity resulted in an enormous body of work that spanned every available medium and most importantly contributed to the collapse of boundaries between high and low culture. The extensive Andy Warhol Foundation collections available on Artstor provide a thorough presentation of the prolific artist’s works in one place for the first time through more than 35,000* images inclusive of paintings, drawings, sculptures, prints, and photography spanning four decades.

The turbulent 1960s ignited an impressive and wildly prolific time in Warhol’s life which saw the production of many of Warhol’s most iconic works, including Campbell Soup Cans, Marilyn Monroes, Dollar Signs, Disasters, Brillo Boxes and Coca Cola Bottles. These familiar works are supplemented by a wide-ranging presentation of the provocative and ground-breaking works Warhol continued to create until his untimely death in 1987. (more…)

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Artstor and The Andy Warhol Foundation for the Visual Arts have released more than 35,000* images of Warhol’s work in the Artstor Digital Library in two extensive collections–Warhol’s Oeuvre and the Photographic Legacy Project.

This extensive launch provides a thorough presentation of the prolific artist’s works in one place for the first time, inclusive of paintings, drawings, sculptures, prints, and photography spanning four decades. The Oeuvre collection provides a comprehensive view of the artist’s output, starting with the early work he created during the 1950s as an award-winning commercial artist working for clients such as Columbia Records and Tiffany & Co., through to many of his most iconic images, including Campbell Soup Cans, Marilyn Monroes, Dollar Signs, Disasters, Brillo Boxes and Coca Cola Bottles.
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Catherine Tedford, the director of the Richard F. Brush Art Gallery at St. Lawrence University, curates the Street Art Graphics collection, undeniably one of the coolest resources in Shared Shelf Commons. Here she shares the history of street stickers and of her amazing collection.

All images courtesy of Catherine Tedford, Richard F. Brush Art Gallery, St. Lawrence University

All images courtesy of Catherine Tedford, Richard F. Brush Art Gallery, St. Lawrence University

History of the collection and the Street Art Graphics digital archive

In the last thirty years, urban art has evolved dramatically from the spray-painted graffiti that peppered subway stations, back alleys, and train yards. Today, new forms of visual communication are created in public spaces, often attracting viewers in more contemplative and/or interactive ways. Street art stickers, or simply “stickers,” have emerged as a vehicle for self-expression and as an effective way to engage passersby. Stickers may be used to “tag” or claim a space and make it temporarily one’s own, to sell products or services, to announce events, to publicize blogs or other social media sites, or to offer social commentary and political critique. As one of the most democratic art forms, stickers can be created and distributed easily, quickly, cheaply, and widely. D.I.Y. artists create one-of-a-kind drawings or multiple stencils and screenprints on free USPS stickers or “Hello-My-Name-Is” labels. Other artists upload more elaborate designs to online sticker companies that mass produce hundreds or thousands of stickers at a time. A range of rhetorical strategies can be found in their work, from humor and charm to rebellion and resistance. Representing a diverse array of voices and perspectives, stickers offer a spirited “ground up” alternative to an often “top down” media-saturated environment.

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Constantine Manos, Watching the dance, Olympos, Karpathos

Constantine Manos, Watching the dance, Olympos, Karpathos, 1960s. Thomas L. Adams, Jr. Photographic Collection, Teti Library, New Hampshire Institute of Art

This fall, the New Hampshire Institute of Art published a first selection of 22 images from its Thom Adams Photograph Collection on Shared Shelf Commons. The collection, a gift from 2011, includes around 300 original photographic prints by world class photographers of the 20th and 21st centuries belonging to collector, photographer, and New Hampshire resident Thomas L. Adams. The collection is being released in batches as it gets digitized, cataloged, and cleared for publication.

The Thom Adams Photograph Collection is made up largely of works that explore lifestyles, customs, and human relationships through portraiture, figurative studies, documentary photography, and street photography. Photographers represented in the collection include Annie Leibovitz, Todd Webb, George Platt Lynes, and Steve McCurry, as well as many lesser known artists.

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Bruce Nauman; World Peace (Projected); 1996; Exhibited at Sperone Westwater Gallery, Fall 1996. Image and original data provided by Larry Qualls; © 2009 Bruce Nauman / Artists Rights Society (ARS), New York

Bruce Nauman; World Peace (Projected); 1996; Exhibited at Sperone Westwater Gallery, Fall 1996. Image and original data provided by Larry Qualls; © 2009 Bruce Nauman / Artists Rights Society (ARS), New York

The Larry Qualls Archive of Contemporary Art surveys almost three decades of work exhibited in the New York area from 1988-2012. In this post, we consider the personalities and forces that dominated the art world in the 2000s. See also the 1980s and the 1990s.

The beginning of the 21st century was an especially auspicious time for the global arts community. While New York retained its place as a cultural capital, its standing in the world seemed buffeted by larger forces.

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