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Archive for the ‘Photographs’ Category

Roger Fenton, Hardships in the Camp, 1855. Image courtesy of George Eastman House www.eastmanhouse.org

Roger Fenton, Hardships in the Camp, 1855. Image courtesy of George Eastman House www.eastmanhouse.org

When it comes to modern warfare, we’ve seen so much through photographs: mass graves, explosions, the faces of soldiers the instant they’re shot. And we’ve also seen the aftermath of war–devastated landscapes, soldiers carrying their dead, and returning home to their families. We’ve become accustomed to a depth of visual coverage that has brought deep familiarity with the realities of war from start to finish, a stark contrast to the experience of civilian audiences prior to the advent of photography. (more…)

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Hablot Knight Browne, The London Stereoscopic Company; The Ghost in the stereoscope; 1856 - 1859. Image and original data provided by Rijksmuseum: https://www.rijksmuseum.nl

Hablot Knight Browne, The London Stereoscopic Company. The Ghost in the stereoscope, 1856 – 1859. Image and original data provided by Rijksmuseum: http://www.rijksmuseum.nl

In 1862, amateur photographer William H. Mumler of Boston took a self-portrait in his studio, unaware of a ghostly apparition lurking directly behind him. It wasn’t until he viewed the resulting image of a pellucid arm draped casually across his shoulder that he realized the camera must have exposed the lingering spirit of his deceased cousin. With this eerie, novel image, Mumler, a jewelry engraver by trade, became the first of many photographers to claim having photographed a spirit. Photographs like Mumler’s provided timely evidence that spirits of the deceased freely interacted with the world of the living–a discovery he would milk for profit within the framework of the Spiritualist movement.

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 Southworth & Hawes, Early Operation Using Ether for Anesthesia, late spring 1847. Image and original data provided by The J. Paul Getty Museum

Southworth & Hawes, Early Operation Using Ether for Anesthesia, late spring 1847. Image and original data provided by The J. Paul Getty Museum

In 1846, dentist William T. G. Morton assembled a group of doctors in the operating theater at Massachusetts General Hospital, a sky-lit dome located on the hospital’s top floor. As the doctors watched from the dome’s stadium seating, Morton waved a sponge soaked in a mysterious substance called Letheon inches from his patient’s face. The patient quickly lost consciousness and remained completely still as a surgeon removed a tumor from his neck. Upon waking, the patient declared to his astonished audience that he had felt no pain. This surgery marked the first time the effective and safe use of anesthesia was demonstrated publicly, ending centuries of agonizing pain during surgery. It would also quickly spiral into a dramatic controversy surrounding Letheon’s discovery.

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Brice Marden; The Seasons; 1974-1975. Image and original data provided by The Menil Collection, Houston; © 2014 Brice Marden / Artists Rights Society (ARS), New York

Brice Marden; The Seasons; 1974-1975. Image and original data provided by The Menil Collection, Houston; © 2014 Brice Marden / Artists Rights Society (ARS), New York

Artstor and the Menil Foundation have just released nearly 200 images of highlights from the Menil Collection in the Digital Library.

The Menil Collection opened to the public in June 1987 to house, exhibit, and preserve the art collection of John and Dominique de Menil. Assembled over the course of many decades by the Houston philanthropists, the collection is recognized not only for its quality and depth but also for its distinctive presentation and eclecticism. An actively collecting institution, the Menil Collection contains diverse holdings representing many world cultures and thousands of years of human creativity, from prehistoric times to the present. Today, the collection comprises over 16,000 objects. (more…)

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Artstor is sharing two new collections of photographs by Barbara J. Anello: graffiti in Lower Manhattan in the 1980s and 90s, and Tibetan Buddhist art and architecture in Ladakh, India.

The photographs from Ladakh were exhibited at the Overseas Press Club in New York City and Kenyon College in Gambier, Ohio in 1982. (more…)

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We invited Barbara Anello to tell us about her photographs of graffiti in Lower Manhattan, newly released in the Artstor Digital Library.

Title: Mural, 353 East 4th St between Aves C& D; Image ID: A

Robin Michaels and Kristen Reed; Mural, 353 East 4th St between Aves C & D; 1991; Graffiti Lower East Side Manhattan. Photograph © Barbara J. Anello

I photographed graffiti, stencil art, wall paintings, and murals on New York City streets during the 1980s and early ’90s in Lower Manhattan from about 14th Street south to Battery Park, and from the Hudson to the East Rivers, but generally in Soho, Noho, the Lower East Side, and “Alphabet City.”

At the time, Soho, where I lived, was still the neighborhood of artists and galleries, but rapidly gentrifying, forcing younger artists east and out. While much of the public art and graffiti was anonymous, the neighborhoods where I photographed embodied the “art world” of the time; these were the streets where artists worked and played, dealers bought and sold. So my photographs included works and writing by artists who became “art world” figures, such as Kenny Scharf and Keith Haring, by artists who built reputations in their neighborhoods as “writers” and social activists, as well as by dedicated, working artists who made statements independently on the walls of abandoned buildings or squats, intended for the people, for the neighborhood, outside the confines of commercial galleries.

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Tim Dirven; Two boys ride a bike at the ruins of Palmyra; 2008; Palmyra, Syria. © Tim Dirven / Panos Pictures

Tim Dirven; Two boys ride a bike at the ruins of Palmyra; 2008; Palmyra, Syria. © Tim Dirven / Panos Pictures

Panos Pictures and Artstor have collaborated to share more than 1,000 additional photographs of contemporary global affairs in the Digital Library, bringing the total to more than 32,000 images in Artstor.

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