The Cooper Hewitt, National Design Museum is the only museum in the United States devoted exclusively to historic and contemporary design. The Museum presents compelling perspectives on the impact of design on daily life through active educational and curatorial programming. (more…)
Archive for the ‘Prints’ Category
Through a collaboration with the Réunion des Musées Nationaux (RMN) and Art Resource, Artstor is now sharing more than 5,100 additional images of works in the permanent collections of French national and regional museums in the Digital Library.
This brings the total of RMN images in the Digital Library to more than 12,000. The images come from the archives of the Agence photographique de la RMN, which encompass the collections of 28 museums such as the Musée du Louvre, the Musée d’Orsay, and the Musée National d’Art Moderne-Centre Georges Pompidou.
This release is composed of an outstanding selection of modern art, including paintings by Balthus, Francis Bacon, Pierre Bonnard, Georges Braque, Natalia Goncharova, Marc Chagall, Tamara de Lempicka, Fernand Léger, André Masson, René Magritte, and Francis Picabia; sculptures by Henri Matisse, Alexander Calder, André Derain, Jean Dubuffet, Niki de Saint-Phalle, and Joseph Beuys; works on paper by Pierre Alechinsky, Antonin Artaud, Edgar Degas, Paul Klee, and Victor Hugo; installations by Louise Bourgeois and Martial Raysse; rarely-seen reconstructions of architectural models by Kazimir Malevich, furniture designed by Le Corbusier, and documentary and self-portrait photographs by Constantin Brancusi; as well as more than 100 works by Vassily Kandinsky. The release also features thousands of ancient to medieval artworks from Asia, Europe, and the Middle East.
Artstor and the Hofstra University Museum are collaborating to make 200 images from the Museum’s permanent collection available in the Digital Library.
Integral to the academic mission of Hofstra University, the Hofstra University Museum advances knowledge and understanding through experiences with authentic works of art from the world’s diverse cultures. The Museum’s mission is achieved through collection acquisition and preservation, exhibitions and interpretive resources.
Despite entreaties to the contrary, the debate about e-books vs. printed books doesn’t seem to be going away anytime soon. Traditionalists frequently tout the sensual pleasures of paper (smell, which doesn’t have much to do with reading, comes up often), while readers of electronic devices usually point to convenience. There have even been studies about which format is better for comprehension and retention.
One thing that never comes up? Bookplates! Laugh if you want, but those small decorative labels with the book-owner’s name can be quite beautiful, and we haven’t yet seen an e-reader with one. Take a look at these examples from the University of Delaware’s William Augustus Brewer Bookplate Collection to see what they’re missing. (more…)
The UWM Art Collection encompasses 7,600 objects – western and non-western art, ancient to contemporary. Areas of special strength include prints from the 15th to 20th century, Greek and Russian Icons, American folk art, and ethnographic collections of Africa and Oceania. The Blanche and Henry Rosenberg Collection of Modern Art is an impressive grouping of two- and three-dimensional works representing the major stylistic trends of the first half of the twentieth century. Notable artists featured in this collection of over 300 objects includes Jean Arp, Joan Miró, Henry Moore, Victor Vasarely, Alexander Calder, and Pablo Picasso. The Rogers Family Collection of Greek and Russian Icons represents a remarkable array of icons, many dating to the fifteenth and sixteenth centuries. The collection also consists of numerous liturgical objects, finely executed in gold, bronze, wood, and enamel, including reliquary and processional crosses, chalices, spoons, as well as secular pieces such as Byzantine coins and jewelry. The Emile H. Mathis II Print Collection is an expansive assemblage of 1,500 works on paper spanning 500 years of art history. The collection, which represents Mathis’ lifetime passion for fine art, includes excellent examples of 17th century etchings by Jacques Callot and Rembrandt van Rijn; 19th century French, British, and American printmakers including Francis Seymour Haden, James Abbott McNeill Whistler, and Henri de Toulouse-Lautrec; early 20th century prints by Kathe Kollwitz, Pablo Picasso, and Joan Miró; and extensive holdings of late 20th century American artists: Jasper Johns, Andy Warhol, Jim Dine, Claes Oldenburg, and Robert Rauschenberg. The African art collection provides an encyclopedic overview of 19th and early 20th century African art, with objects from nearly one hundred different cultural areas and twenty-three different countries.
Artstor and the Davison Art Center at Wesleyan University are collaborating to release more than 15,000 images of prints and photographs from the Center’s permanent collection in the Digital Library. A selection of these images will also be made available in Artstor’s Images for Academic Publishing (IAP) program.
The Davison Art Center (DAC) collection consists of some 24,000 works of art on paper, mostly original prints and photographs, with smaller numbers of works in other media. The print collection is considered to be one of the most important at any American university. It includes fine impressions of works by Dürer and Northern and Italian Renaissance artists; Rembrandt and his contemporaries; Goya; nineteenth-century French painter-printmakers such as Manet and Millet; American modern and contemporary artists; and Japanese ukiyo-e woodcuts. The DAC’s photographs range from calotypes and daguerreotypes made in the 1840s, to work by later photographers such as Lewis Hine and Berenice Abbott, to images by contemporary artists including Duane Michals and Cindy Sherman. (more…)
Artstor and Lafayette College are collaborating to release over 300 images in the Digital Library from the Experimental Printmaking Institute.
The Experimental Printmaking Institute (EPI) at Lafayette College is a unique printmaking laboratory that enables students to work hand in hand with professional artists using traditional techniques in concert with experimental approaches. For almost 20 years, EPI has produced editions by artists such as Faith Ringgold, Richard Anuszkiewicz, David Driskell, Grace Hartigan, and Sam Gilliam. The results of these collaborations are included in the permanent collections of many important museums, colleges, and universities. EPI partnered with Lafayette College’s Digital Scholarship Services (DSS) department to digitize and catalog its collection. (more…)