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Archive for the ‘Prints’ Category

South America: the Land of Opportunity. A Continent of Scenic Wonders. A Paradise for the Tourist. General Information for Travelers, Detail. Lamport & Holt Line. 1912. Persuasive Maps: PJ Mode Collection

South America: the Land of Opportunity. A Continent of Scenic Wonders. A Paradise for the Tourist. General Information for Travelers, Detail. Lamport & Holt Line. 1912. Persuasive Maps: PJ Mode Collection

Persuasive Cartography: The PJ Mode Collection is a physical and digital open access collection of maps donated to Cornell University Library’s Rare and Manuscript Collections. This collection brings together maps from many eras from all over the world to explore their power as visual messengers. 

Following up on our interview in which he shares the origin of the collection, collector and donor PJ Mode shares a selection of his favorite pieces.

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Serio-Comic War Map For The Year 1877. Fred W. Rose. 1877. Persuasive Maps: PJ Mode Collection

Serio-Comic War Map For The Year 1877. Fred W. Rose. 1877. Persuasive Maps: PJ Mode Collection

Persuasive Cartography: The PJ Mode Collection is a physical and digital collection of maps donated to Cornell University Library’s Rare and Manuscript Collections. It brings together maps from many eras from all over the world to explore their power as visual messengers. The collection is freely accessible in Shared Shelf Commons and through its own website, which leverages the Shared Shelf Commons API to present these beautiful images in a customized end-user environment.

PJ Mode, the collection’s donor, worked closely with Cornell Library staff and the Digital Consulting and Production Services team to take high-resolution photographs of each map and create rich descriptive metadata for each image in Shared Shelf. 

Shared Shelf’s Hannah Marshall sat down recently with Mode to discuss the origin of the physical collection, the implementation of the digital collection, and some of the collection’s highlights.

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We invited Marta Chudolinska, Learning Zone Librarian at the Ontario College of Art and Design University, to tell us about the collection of zines they are making openly available to everyone through Shared Shelf.

The OCAD U Zine Library is an ever-growing collection of self-published and handmade objects located in the Learning Zone at OCAD University. The Library contains an incredible range of zines (pronounced “zeen,” as in magazine), in terms of subject matter and form. Zines are a very flexible medium – they can be about anything that the creator wishes, often incredibly personal, political, or conceptual, and production can range from the cheapest, easiest options, such as photocopiers, to finely crafted, handmade approaches such as screen printing or letterpress.

The collection was started by former student Alicia Nauta in November of 2007 with hopes to inspire, educate and entertain, to encourage collaboration between OCAD U students and to open up the world of zines for readers and creators everywhere. When Alicia graduated, maintenance and development of the collection were continued by OCAD University Library staff. In 2009-2010, reference interns Laine Gabel and Marta Chudolinska devised a unique cataloging system based on best practices identified from other zine libraries and zine communities, which was later expanded to meet zine library cataloging standards as established by zine librarians across Canada and the US as xZINECOREx. (more…)

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William Blake; Pity; ca. 1795. Image © The Metropolitan Museum of Art

William Blake; Pity; ca. 1795. Image © The Metropolitan Museum of Art

William Blake is perhaps the most famous artist born out of the British Romantic period, mostly known for his writing, paintings, and printmaking. But much like Vincent Van Gogh and Henry Darger after him, Blake was largely unrecognized during his lifetime and was mostly seen by the art community as an amateur. And while his published poetry and his illustrations of those poems are wholly original works, Blake spent the majority of his career drawing and painting scenes from fictional stories written by other authors—such as Shakespeare, Milton, Chaucer, and Dante.

In fact, it might be said that Blake spent a lot of his time working on what we now call “fan art.”

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Melvin Edwards; Inside Out; 2008. © Lafayette College; © Melvin E. Edwards; © 2012 Artists Rights Society (ARS), New York

Artstor and Lafayette College have released more than 500 images in the Digital Library from the Experimental Printmaking Institute.

The Experimental Printmaking Institute (EPI) at Lafayette College is a unique printmaking laboratory that enables students to work hand in hand with professional artists using traditional techniques in concert with experimental approaches. For almost 20 years, EPI has produced editions by artists such as Faith Ringgold, Richard Anuszkiewicz, David Driskell, Grace Hartigan, and Sam Gilliam. The results of these collaborations are included in the permanent collections of many important museums, colleges, and universities. EPI partnered with Lafayette College’s Digital Scholarship Services (DSS) department to digitize and catalog its collection. (more…)

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Jean Lurcat Celui qui aime ecrit sur les murs [One who loves writes on the walls], ca. 1924. © Smithsonian Institution, © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris

Jean Lurcat Celui qui aime ecrit sur les murs [One who loves writes on the walls], ca. 1924. © Smithsonian Institution, © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris

Artstor and the Smithsonian’s Cooper Hewitt, National Design Museum have just released more than 8,200 images from the permanent collection in the Digital Library.

The Cooper Hewitt, National Design Museum is the only museum in the United States devoted exclusively to historic and contemporary design. The Museum presents compelling perspectives on the impact of design on daily life through active educational and curatorial programming. (more…)

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Vassily Kandinsky, Impression V (Park), 1911. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France. Image and original data provided by Réunion des Musées Nationaux / Art Resource, N.Y.; artres.com

Vassily Kandinsky, Impression V (Park), 1911. Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France. Image and original data provided by Réunion des Musées Nationaux / Art Resource, N.Y.; artres.com

Through a collaboration with the Réunion des Musées Nationaux (RMN) and Art Resource, Artstor is now sharing more than 5,100 additional images of works in the permanent collections of French national and regional museums in the Digital Library.

This brings the total of RMN images in the Digital Library to more than 12,000. The images come from the archives of the Agence photographique de la RMN, which encompass the collections of 28 museums such as the Musée du Louvre, the Musée d’Orsay, and the Musée National d’Art Moderne-Centre Georges Pompidou.

This release is composed of an outstanding selection of modern art, including paintings by Balthus, Francis Bacon, Pierre Bonnard, Georges Braque, Natalia Goncharova, Marc Chagall, Tamara de Lempicka, Fernand Léger, André Masson, René Magritte, and Francis Picabia; sculptures by Henri Matisse, Alexander Calder, André Derain, Jean Dubuffet, Niki de Saint-Phalle, and Joseph Beuys; works on paper by Pierre Alechinsky, Antonin Artaud, Edgar Degas, Paul Klee, and Victor Hugo; installations by Louise Bourgeois and Martial Raysse; rarely-seen reconstructions of architectural models by Kazimir Malevich, furniture designed by Le Corbusier, and documentary and self-portrait photographs by Constantin Brancusi; as well as more than 100 works by Vassily Kandinsky. The release also features thousands of ancient to medieval artworks from Asia, Europe, and the Middle East.

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