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Archive for the ‘Renaissance, Baroque Art & Architecture in Europe’ Category

Rosso Fiorentino (Giovanni Battista di Jacopo), Angel Playing a Lute, 1521, Galleria degli Uffizi. Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.; artres.com; scalarchives.com; (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.

Rosso Fiorentino (Giovanni Battista di Jacopo), Angel Playing a Lute; detail, 1521, Galleria degli Uffizi. Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.; artres.com; scalarchives.com; (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.

Have you ever wondered why you rarely see the names of the greats from the Italian Renaissance reoccur in art history?  Why do we not see more than one artist with names such as Ghirlandaio, Masaccio, or Tintoretto? It’s because a lot of these were not really names, they were nicknames! Some, like Verrocchio (“true eye”), were flattering, while others, like Guercino (“squinter”), not so much.

Here’s a list of some of the most memorable names from the Renaissance and what they really mean:

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Raphael, Stanza di Eliodoro (Expulsion of Heliodorus), 1511-12, Vatican. Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.; www.artres.com; scalarchives.com; (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.

Raphael, Stanza di Eliodoro (Expulsion of Heliodorus), 1511-12, Vatican. Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.; http://www.artres.com; scalarchives.com; (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.

With the recent news that the Vatican’s Swiss Guard is releasing a book of recipes, I’m again hearing the myth, perpetuated by Dan Brown among others, that Michelangelo designed the uniforms of the Guard at the behest of his patron, Julius II.

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Joseph Beuys, Green Violin and Telephone S--------R (Sender--------Receiver), 1974

Joseph Beuys, Green Violin and Telephone S——–R (Sender——–Receiver), 1974. Image and original data provided by Yale University. ©2008 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

Artstor is introducing curriculum guides–collections of images from the Artstor Digital Library based on syllabi for college courses–compiled by faculty members and experts around the country. Learn more here.

Survey of Western Art 2: Renaissance to Postmodern
Nancy Minty, Ph.D, Collections Editor, Artstor
This curriculum guide consists of a thorough overview of later western art (approximately 1300 through 2000 CE, completing the Survey of Western Art 1: Prehistoric to Gothic), presenting the cultural heritage of Europe and the New World with an emphasis on seminal works, including architecture, paintings and sculptures, manuscripts, prints, drawings and decorative arts, in addition to photography and installations. Students will hone visual and descriptive skills as they enhance their recognition of schools and styles, and, conversely, their awareness of breaks within the western tradition. Readings will be selected from survey texts as well as scholarly articles.

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Luigi Garzi, Bellarmine Chapel, dome fresco, Rome, Italy. John Pinto Collection (Princeton University)

Luigi Garzi, Bellarmine Chapel, dome fresco, Rome, Italy. John Pinto Collection (Princeton University)

Artstor and Princeton architectural historian John Pinto have collaborated to share approximately 2,000 images of Italian architecture, landscape, and urbanism in the Digital Library.

Pinto’s photographs document Renaissance and Baroque architecture, landscape architecture, and monuments, including Hadrian’s Villa and Trevi Fountain. These images trace Rome’s history as a center of artistic production through the ages.

John Pinto is the Howard Crosby Butler Memorial Professor of the History of Architecture in the Princeton University Department of Art and Archaeology and is a Fellow of the American Academy in Rome. (more…)

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Jan Brueghel the Elder | The Entry of the Animals into Noah's Ark; 1613 | The J. Paul Getty Museum at the Getty Center

Jan Brueghel the Elder | The Entry of the Animals into Noah’s Ark; 1613 | The J. Paul Getty Museum at the Getty Center

Artstor and the J. Paul Getty Museum have released more than 5,000 images from the museum’s Open Content Program in the Digital Library.

The Getty’s Open Content Program makes available digital images to which the Getty holds the rights or that are in the public domain. Among the images now available in the Digital Library are works from the Museum’s permanent collection by artists such as Albrecht Altdorfer, Bronzino, Dürer, Alfred Stieglitz, Andrea del Sarto, Mantegna, Anthony van Dyck, Rodin, Pissarro, Canaletto, Caspar David Friedrich, Monet, Walker Evans, Correggio, Van Gogh, Titian, Tina Modotti, Gainsborough, Thomas Eakins, Théodore Géricault, Rembrandt, Raphael, Pontormo, Pieter de Hooch, Rubens, Gauguin, Cézanne, Parmigianino, Veronese, Poussin, Nadar, Lucas Cranach, Da Vinci, Julia Margaret Cameron, Fragonard, Watteau, Jacques-Louis David, Courbet, Klimt, Tiepolo, Vasari, Seurat, Goya, Delacroix, El Greco, Degas, and many more.

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Jacques-Louis David | The Oath of the Horatii | 1784 | Musée du Louvre | Image and original data provided by Réunion des Musées Nationaux / Art Resource, N.Y.; artres.com

Through a collaboration with the Réunion des Musées Nationaux (RMN) and Art Resource, Artstor will share nearly 7,000 additional images of works in the permanent collections of French national and regional museums in the Digital Library. This will bring the total of RMN images in the Digital Library to more than 14,000. The images will be selected from the archives of the Agence photographique de la RMN, which include the collections of 28 museums, including the Musée du Louvre, the Musée d’Orsay, and the Musée National d’Art Moderne – Centre Georges Pompidou.

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logo-mauritshuisArtstor and Mauritshuis are collaborating to make available 1,200 images of works and their versos from the museum’s permanent collection.

The Mauritshuis is home to the very best of Dutch Golden Age painting. More than two hundred key works from Dutch and Flemish masters are on display in the intimate rooms of this seventeenth-century mansion in The Hague, ranging from such masterpieces as Vermeer’s Girl with a Pearl EarringThe Anatomy Lesson of Dr. Nicolaes Tulp by Rembrandt, and The Goldfinch by Carel Fabritius, to genre paintings by Jan Steen, landscapes by Jacob van Ruisdael, still lifes by Adriaen Coorte, and portraits by Rubens.

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