Sculptor Benvenuto Cellini is best remembered for two things: his bombastic autobiography, the Vita, in which he confesses to multiple murders and a spectacular jailbreak, and for his salt cellar. Yes, that’s right—a dish for salt.
Archive for the ‘Renaissance, Baroque Art & Architecture in Europe’ Category
We recently told you about our alliance with ITHAKA. The Exploring Rembrandt project with JSTOR should give you a hint of why we are so excited to be working together! It’s just a proof of concept, but it points to a world of possibilities.
In a nutshell:
You can learn how the project came about in the JSTOR Labs blog.
Posted in Discovery, Paintings, Prehistoric & Ancient Art and Architecture, Renaissance, Baroque Art & Architecture in Europe, tagged Classical Studies, greek mythology, roman mythology on March 21, 2016 | Leave a Comment »
If you’re still trying to adjust to the start of Daylight Saving Time, we’d like to give you a little bit of advice: don’t let the mythological gods of Greece and Rome catch you napping. Seeing mortals sleeping seems to bring out the worst in them.
Here are three of the most notorious examples:
Endymion and Selene
Depending on whom you ask, Zeus either offered the beautiful shepherd Endymion a wish and Endymion chose to sleep and remain youthful forever, or the eternal sleep wasn’t a gift at all, but rather a punishment because Endymion had attempted to seduce Zeus’ wife, Hera. (more…)
Artstor and the Norton Simon Museum are collaborating to share approximately 1,100 images of artworks from their permanent collection in the Digital Library.
The Norton Simon Museum is known around the world as one of the most remarkable private art collections ever assembled. Over a thirty-year period, industrialist Norton Simon (1907–1993) amassed an astonishing collection of European art from the Renaissance to the 20th century and a stellar collection of South and Southeast Asian art spanning 2,000 years. Among the most celebrated works he collected are Branchini Madonna, 1427, by Giovanni di Paolo; Madonna and Child with Book, c. 1502-03, by Raphael; Still Life with Lemons, Oranges and a Rose, 1633, by Francisco de Zurbarán; Portrait of a Boy, c. 1655-60, by Rembrandt van Rijn; Mulberry Tree, 1889, by Vincent van Gogh; Little Dancer Aged Fourteen, 1878-81, by Edgar Degas; and Woman with a Book, 1932, by Pablo Picasso. Highlights from the Asian collection include the bronze sculptures Buddha Shakyamuni, c. 550, India: Bihar, Gupta period, and Shiva as Lordof Dance, c. 1000, India: Tamil Nadu; and the gilt bronze Indra, 13th century, Nepal. (more…)
Have you ever wondered why you rarely see the names of the greats from the Italian Renaissance reoccur in art history? Why do we not see more than one artist with names such as Ghirlandaio, Masaccio, or Tintoretto? It’s because a lot of these were not really names, they were nicknames! Some, like Verrocchio (“true eye”), were flattering, while others, like Guercino (“squinter”), not so much.
Here’s a list of some of the most memorable names from the Renaissance and what they really mean: